{"id":3004,"date":"2009-12-09T11:18:49","date_gmt":"2009-12-09T14:18:49","guid":{"rendered":"https:\/\/screamyell.com.br\/site\/?p=3004"},"modified":"2016-10-03T11:01:53","modified_gmt":"2016-10-03T14:01:53","slug":"top-20-internacional-da-decada-00","status":"publish","type":"post","link":"https:\/\/screamyell.com.br\/site\/2009\/12\/09\/top-20-internacional-da-decada-00\/","title":{"rendered":"Top 20 Internacional da d\u00e9cada 00"},"content":{"rendered":"<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-3005 aligncenter\" title=\"decadai201918\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2009\/12\/decadai201918.jpg\" alt=\"\" width=\"750\" height=\"250\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>20) &#8220;American IV: The Man Comes Around&#8221;, Johnny Cash (2002 \/ Lost Highway)<\/strong><br \/>\n<strong>32 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">Produzido por Rick Rubin, este \u00e9 o quarto volume da s\u00e9rie American, de Johnny Cash, quase todo de vers\u00f5es. Destaques para &#8220;Hurt&#8221;, de Trent Reznor, &#8220;Personal Jesus&#8221;, de Martin Gore, e &#8220;In My Life&#8221;, de Lennon e McCartney.<\/p>\n<p style=\"text-align: justify;\"><strong>19) &#8220;Chaos and Creation in the Backyard&#8221;, Paul McCartney (2005 \/ EMI)<\/strong><br \/>\n<strong>32,5 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">Produzido por Nigel Godrich, Paul McCartney toca quase todos os instrumentos de um \u00e1lbum que destaca can\u00e7\u00f5es como &#8220;Fine Line&#8221;, &#8220;Jenny Wren&#8221; e &#8220;Follow Me&#8221;.<\/p>\n<p style=\"text-align: justify;\"><strong>18) &#8220;Stories from the City, Stories from the Sea&#8221;, Pj Harvey (2000 \/ Universal)<\/strong><br \/>\n<strong>38 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">Produzido por PJ Harvey, Rob Ellis e Mick Harvey, e com participa\u00e7\u00e3o de Thom Yorke em tr\u00eas faixas, <em>Stories from the City, Stories from the Sea<\/em> \u00e9 o quinto \u00e1lbum da cantora e destaca can\u00e7\u00f5es como &#8220;Big Exit&#8221;, &#8220;Good Fortune&#8221; e &#8220;This Is Love&#8221;,<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-3007 aligncenter\" title=\"decadai171615\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2009\/12\/decadai171615.jpg\" alt=\"\" width=\"750\" height=\"250\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>17) &#8220;Turn on the Bright Lights&#8221;, Interpol (2002 \/ Trama)<\/strong><br \/>\n<strong>41 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">\u00c1lbum de estreia do Interpol, <em>Turn on the Bright Lights <\/em>foi produzido por Peter Katis e Gareth Jones e lan\u00e7ado pelo selo norte-americano Matador. Destaque para as can\u00e7\u00f5es &#8220;Obstacle 1&#8221;, &#8220;NYC&#8221; e &#8220;PDA&#8221;.<\/p>\n<p style=\"text-align: justify;\"><strong>16) &#8220;Hot Fuss&#8221;, The Killers (2004 \/ Universal)<\/strong><br \/>\n<strong>42 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">\u00c1lbum de estreia do Killers, Hot Fuss foi produzido pela banda junto a Jeff Saltzman e destaca os hits &#8220;Jenny Was A Friend of Mine&#8221;, &#8220;Mr. Brightside&#8221;, &#8220;Smile Like You Mean It&#8221; e &#8220;Somebody Told Me&#8221;.<\/p>\n<p style=\"text-align: justify;\"><strong>15) &#8220;LCD Soundsystem&#8221;, LCD Soundsystem (2005 \/ Capitol)<\/strong><br \/>\n<strong>42,5 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">\u00c1lbum de estreia do projeto criado por James Murphy, co-foundador do selo de DFA Records. O \u00e1lbum destaca &#8220;Daft Punk Is Playing at My House&#8221;, &#8220;Tribulations&#8221;, &#8220;Movement&#8221; e &#8220;Give It Up&#8221;.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-3009 aligncenter\" title=\"decadai141312\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2009\/12\/decadai141312.jpg\" alt=\"\" width=\"750\" height=\"250\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>14) &#8220;Modern Times&#8221;, Bob Dylan (2006 \/ Columbia)<\/strong><br \/>\n<strong>45,5 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">Produzido por Jack Frost, um pseud\u00f4nimo de Bob Dylan, <em>Modern Times <\/em>\u00e9 o 32\u00ba \u00e1lbum da carreira do compositor e vendeu mais de 4 milh\u00f5es de c\u00f3pias em todo o mundo destacando can\u00e7\u00f5es como &#8220;Thunder on the Mountain&#8221;, &#8220;When the Deal Goes Down&#8221; e &#8220;Workingman&#8217;s Blues #2&#8221;.<\/p>\n<p style=\"text-align: justify;\"><strong>13) &#8220;XTRMNTR&#8221;, Primal Scream (2000 \/ Epic)<\/strong><br \/>\n<strong>53 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">Produzido pela pr\u00f3pria banda, Brendan Lynch e Adrian Maxwell Sherwood, XTRMNTR \u00e9 o sexto \u00e1lbum da carreira do Primal Scream e traz can\u00e7\u00f5es como &#8220;Kill All Hippies&#8221;, &#8220;Accelerator&#8221; e &#8220;Swastika Eyes&#8221;. O Primal Scream marcou presen\u00e7a entre os melhores da d\u00e9cada de 90 com o \u00e1lbum &#8220;Screamadelica&#8221;.<\/p>\n<p style=\"text-align: justify;\"><strong>12) &#8220;Elephant&#8221;, White Stripes (2003 \/ Sum Records)<\/strong><br \/>\n<strong>59,5 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">Quarto \u00e1lbum da carreira do White Stripes, Elephant foi produzido por Jack White e Liam Watson e traz can\u00e7\u00f5es como &#8220;Seven Nation Army&#8221;, &#8220;I Just Don&#8217;t Know What to Do with Myself&#8221; e &#8220;The Hardest Button to Button&#8221;.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-3010 aligncenter\" title=\"decadai111009\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2009\/12\/decadai111009.jpg\" alt=\"\" width=\"750\" height=\"250\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>11) &#8220;Back to Black&#8221;, Amy Winehouse (2006 \/ Universal)<\/strong><br \/>\n<strong>62 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">Produzido por Mark Ronson e Salaam Remi, Back to Black \u00e9 o segundo \u00e1lbum de Amy Winehouse e traz can\u00e7\u00f5es como &#8220;Rehab&#8221;, &#8220;You Know I&#8217;m No Good&#8221; e &#8220;Love Is a Losing Game&#8221;.<\/p>\n<p style=\"text-align: justify;\"><strong>10) &#8220;White Blood Cells&#8221;, White Stripes (2001 \/ Sum Records)<\/strong><br \/>\n<strong>64 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">Produzido por Jack White, White Blood Cells \u00e9 o segundo \u00e1lbum do White Stripes e traz can\u00e7\u00f5es como &#8220;Dead Leaves and the Dirty Ground&#8221;, &#8220;Hotel Yorba&#8221; e &#8220;Fell in Love with a Girl&#8221;.<\/p>\n<p style=\"text-align: justify;\"><strong>09) &#8220;Yoshimi Battles The Pink Robots&#8221;, The FLaming Lips (2002 \/ Warner)<\/strong><br \/>\n<strong>67,5 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">Produzido por Dave Fridmann e Scott Booker, <em>Yoshimi Battles The Pink Robots<\/em> \u00e9 o d\u00e9cimo \u00e1lbum da carreira do Flaming Lips e destaca can\u00e7\u00f5es como a faixa t\u00edtulo, &#8220;Fight Test&#8221; e &#8220;Do You Realize??&#8221;.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-3012 aligncenter\" title=\"decadai080706\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2009\/12\/decadai080706.jpg\" alt=\"\" width=\"750\" height=\"250\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>08) &#8220;Franz Ferdinand&#8221;, Franz Ferdinand (2004 \/ Trama\/Domino)<\/strong><br \/>\n<strong>80 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">\u00c1lbum de estr\u00e9ia do Franz Ferdinand, produzido por Tore Johansson, traz can\u00e7\u00f5es como &#8220;Jacqueline&#8221;, &#8220;Take Me Out&#8221;, &#8220;The Dark Of The Matin\u00e9e&#8221;, &#8220;This Fire&#8221; e &#8220;Michael&#8221;.<\/p>\n<p style=\"text-align: justify;\"><strong>07) &#8220;Kid A&#8221;, Radiohead (2000\/ Capitol)<\/strong><br \/>\n<strong>81 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">Quarto \u00e1lbum da carreira do Radiohead, produzido por Nigel Godrich, <em>Kid A<\/em> aposta em experimenta\u00e7\u00f5es e destaca &#8220;Everything in Its Right Place&#8221;, &#8220;The National Anthem&#8221;, &#8220;How to Disappear Completely&#8221; e &#8220;Idioteque&#8221;.<\/p>\n<p style=\"text-align: justify;\"><strong>06) &#8220;Sound of Silver&#8221;, LCD Soundsystem (2007 \/ Capitol)<\/strong><br \/>\n<strong>88,5 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">Segundo \u00e1lbum do projeto criado por James Murphy, co-foundador do selo de DFA Records. O \u00e1lbum destaca &#8220;All My Friends&#8221;, &#8220;North American Scum&#8221; e &#8220;Time to Get Away&#8221;.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-3013 aligncenter\" title=\"decadai050403\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2009\/12\/decadai050403.jpg\" alt=\"\" width=\"750\" height=\"250\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>05) &#8220;In Rainbows&#8221;, Radiohead (2007 \/ Capitol)<\/strong><br \/>\n<strong>132 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">Sete \u00e1lbum da discografia do Radiohead, In Rainbows tamb\u00e9m \u00e9 produzido por Nigel Godrich e destaca can\u00e7\u00f5es como &#8220;15 Step&#8221;, &#8220;Bodysnatchers&#8221;, &#8220;House of Cards&#8221;, &#8220;Jigsaw Falling into Place&#8221;. Na vota\u00e7\u00e3o dos melhores \u00e1lbuns dos anos 90 do Scream &amp; Yell, o Radiohead tamb\u00e9m colocou dois \u00e1lbuns no Top 10.<\/p>\n<p style=\"text-align: justify;\"><strong>04) &#8220;Songs For The Deaf&#8221;, Queens of The Stone Age (2002 \/ Universal)<\/strong><br \/>\n<strong>140 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">Terceiro \u00e1lbum do Queens of The Stone Age, Songs Fro The Deaf foi produzido por Adam Kasper, Josh Homme e Eric Valentine e conta com as participa\u00e7\u00f5es de Dave Grohl e Mark Lanegan. Can\u00e7\u00f5es de destaque: &#8220;No One Knows&#8221;, &#8220;Go With the Flow&#8221;, &#8220;Gonna Leave You&#8221; e &#8220;Another Love Song&#8221;.<\/p>\n<p style=\"text-align: justify;\"><strong>03) &#8220;Funeral&#8221;, Arcade Fire (2004 \/ Slag) <\/strong><br \/>\n<strong>151,5 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">Disco de estr\u00e9ia do grupo canadense Arcade Fire, produzido pela pr\u00f3pria banda, traz can\u00e7\u00f5es como &#8220;Neighborhood #1 (Tunnels)&#8221;, &#8220;Crown of Love&#8221;, &#8220;Wake Up&#8221; e &#8220;Rebellion (Lies)&#8221;.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-3014 aligncenter\" title=\"decadai0201\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2009\/12\/decadai0201.jpg\" alt=\"\" width=\"750\" height=\"250\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>02) &#8220;Yankee Hotel Foxtrot&#8221;, Wilco (2002 \/ Nonesuch)<\/strong><br \/>\n<strong>195,5 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">Produzido por Jim O&#8217;Rourke, o quarto \u00e1lbum do Wilco foi recusado pela gravadora Reprise. A banda colocou o \u00e1udio do disco em streaming no site oficial no segundo semestre de 2001, e Yankee Hotel Foxtrot come\u00e7ou a circular nos sites de trocas de MP3 e tamb\u00e9m apareceu em diversas listas de melhores daquele ano, mas foi lan\u00e7ado oficiamente em mar\u00e7o de 2001. Traz can\u00e7\u00f5es como &#8220;I Am Trying to Break Your Heart&#8221;, &#8220;Kamera&#8221;, &#8220;Jesus, Etc.&#8221;, &#8220;Heavy Metal Drummer&#8221; e &#8220;Reservations&#8221;.<\/p>\n<p style=\"text-align: justify;\"><strong>01) &#8220;Is This It&#8221;, The Strokes (2001 \/ RCA)<\/strong><br \/>\n<strong>259 pontos<\/strong><\/p>\n<p style=\"text-align: justify;\">\u00c1lbum de estr\u00e9ia do grupo novaiorquino, <strong>Is This It<\/strong> foi produzido por Gordon Raphael e \u00e9 apontado por muitos como o disco catalizador da cena roqueira da d\u00e9cada 00, abrindo as portas para um bom n\u00famero de novas bandas. Destaca cann\u00e7\u00f5es como &#8220;The Modern Age&#8221;, &#8220;Last Nite&#8221;, &#8220;Hard to Explain&#8221; e &#8220;New York City Cops&#8221;.<\/p>\n<p style=\"text-align: justify;\"><strong>A lista final do Scream &amp; Yell ficou assim:<\/strong><\/p>\n<p style=\"text-align: justify;\">01) Is This It, The Strokes (2001)<br \/>\n02) Yankee Hotel Foxtrot, Wilco (2002)<br \/>\n03) Funeral, Arcade Fire (2004)<br \/>\n04) Songs For The Deaf, Queens of The Stone Age (2002)<br \/>\n05) In Rainbows, Radiohead (2007)<br \/>\n06) Sound of Silver, LCD Soundsystem (2007)<br \/>\n07) Kid A, Radiohead (2000)<br \/>\n08) Franz Ferdinand, Franz Ferdinand (2004)<br \/>\n09) Yoshimi Battles The Pink Robots, The FLaming Lips (2002)<br \/>\n10) White Blood Cells, White Stripes (2001)<br \/>\n11) Back to Black, Amy Winehouse (2006)<br \/>\n12) Elephant, White Stripes (2003)<br \/>\n13) XTRMNTR, Primal Scream (2000)<br \/>\n14) Modern Times, Bob Dylan (2006)<br \/>\n15) LCD Soundsystem, LCD Soundsystem (2005)<br \/>\n16) Hot Fuss, The Killers (2004)<br \/>\n17) Turn on the Bright Lights, Interpol (2002)<br \/>\n18) Stories from the City, Stories from the Sea, Pj Harvey (2000)<br \/>\n19) Chaos and Creation in the Backyard, Paul McCartney (2005)<br \/>\n20) American IV: The Man Comes Around, Johnny Cash (2002)<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/screamyell.com.br\/site\/2009\/12\/09\/top-20-nacional-da-decada-00\/\"><img decoding=\"async\" class=\"alignnone size-full wp-image-3023\" title=\"topnacional\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2009\/12\/topnacional.jpg\" alt=\"\" \/><\/a> <a href=\"https:\/\/screamyell.com.br\/site\/2009\/12\/09\/melhores-da-decada-os-68-votantes\/\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-3123\" title=\"voto-a-voto2\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2009\/12\/voto-a-voto2.jpg\" alt=\"\" width=\"180\" height=\"50\" \/><\/a> <a href=\"https:\/\/screamyell.com.br\/site\/2009\/12\/09\/os-ultimos-dez-anos-na-musica-pop\/\"><img decoding=\"async\" class=\"alignnone size-full wp-image-3020\" title=\"analise\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2009\/12\/analise.jpg\" alt=\"\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"20) &#8220;American IV: The Man Comes Around&#8221;, Johnny Cash (2002 \/ Lost Highway) 32 pontos Produzido por Rick Rubin, este \u00e9 o quarto \n<a class=\"moretag\" href=\"https:\/\/screamyell.com.br\/site\/2009\/12\/09\/top-20-internacional-da-decada-00\/\"> [...]<\/a>","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[39],"tags":[],"_links":{"self":[{"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/posts\/3004"}],"collection":[{"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/comments?post=3004"}],"version-history":[{"count":14,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/posts\/3004\/revisions"}],"predecessor-version":[{"id":40532,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/posts\/3004\/revisions\/40532"}],"wp:attachment":[{"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/media?parent=3004"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/categories?post=3004"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/tags?post=3004"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}