{"id":182,"date":"2008-05-21T10:06:48","date_gmt":"2008-05-21T12:06:48","guid":{"rendered":"http:\/\/colunistas.ig.com.br\/revoluttion\/2008\/05\/21\/500-toques-death-cab-for-cutie-black-keys-wedding-present\/"},"modified":"2015-05-18T20:57:11","modified_gmt":"2015-05-18T23:57:11","slug":"500-toques-death-cab-for-cutie-black-keys-wedding-present","status":"publish","type":"post","link":"https:\/\/screamyell.com.br\/site\/2008\/05\/21\/500-toques-death-cab-for-cutie-black-keys-wedding-present\/","title":{"rendered":"Death Cab For Cutie, Black Keys, Wedding Present"},"content":{"rendered":"<h3 style=\"text-align: center;\"><strong>por Marcelo Costa<\/strong><\/h3>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-30665  aligncenter\" title=\"deathcabie\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/05\/deathcabie.jpg\" alt=\"\" width=\"450\" height=\"450\" srcset=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/05\/deathcabie.jpg 450w, https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/05\/deathcabie-150x150.jpg 150w, https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/05\/deathcabie-300x300.jpg 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>&#8220;Narrow Stairs&#8221;, Death Cab For Cutie<\/strong> (Atlantic)<br \/>\nNo primeiro \u00e1lbum ap\u00f3s o sucesso de &#8220;Plans&#8221; (2005), o DCFC parece querer evitar as paradas. A vontade de soar impopular d\u00e1 as caras desde a capa at\u00e9 o primeiro single, &#8220;I Will Possess Your Heart&#8221;, com oito minutos de dura\u00e7\u00e3o (a voz entra quase no quinto). Ben Gibbard, l\u00edder do grupo, continua afiado nos textos de cora\u00e7\u00e3o partido (&#8220;You Can Do Better Than Me But I Can&#8217;t Do Better Than You&#8221; entrega o clima), e rende-se ao pop apenas na docinha &#8220;No Sunlight&#8221;, mas os arranjos acabam cansando o ouvido.<\/p>\n<p style=\"text-align: justify;\">Pre\u00e7o em m\u00e9dia: R$ 50 (importado)<br \/>\nNota: 6,5<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-30666  aligncenter\" style=\"border: 1px solid black;\" title=\"blackkeys\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/05\/blackkeys.jpg\" alt=\"\" width=\"450\" height=\"450\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>&#8220;Attack and Release&#8221;, The Black Keys<\/strong> (Nonesush\/V2)<br \/>\nO duo de Ohio passou anos sob a sombra do White Stripes, mas isto deve mudar com este quinto CD. Composto especialmente para Ike Turner (falecido em dezembro), produzido por Danger Mouse e com dois colaboradores de Tom Waits participando, &#8220;Attack and Release&#8221; eleva o blues rock aos c\u00e9us atrav\u00e9s de guitarras rascantes, flautas, \u00f3rg\u00e3os e efeitos que credenciam a levadinha folk de &#8220;All You Ever Wanted&#8221;, a balada bluezy &#8220;Things Ain&#8217;t Like They Used To Be&#8221; e o rock\u00e3o &#8220;Strange Times&#8221;. Jack White que se cuide.<\/p>\n<p style=\"text-align: justify;\">Pre\u00e7o em m\u00e9dia: R$ 50 (importado)<br \/>\nNota: 9<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-30667  aligncenter\" title=\"elrey\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/05\/elrey.jpg\" alt=\"\" width=\"450\" height=\"450\" srcset=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/05\/elrey.jpg 450w, https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/05\/elrey-150x150.jpg 150w, https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/05\/elrey-300x300.jpg 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>&#8220;El Rey&#8221;, The Wedding Present<\/strong> (Manisfesto)<br \/>\nAp\u00f3s o excelente <a href=\"http:\/\/www.screamyell.com.br\/musicadois\/weddingpresent_take.htm\" target=\"_blank\">&#8220;Take Fountain&#8221;<\/a> (2005), David Gedge mudou-se para os EUA, enfurnou-se no est\u00fadio com Steve Albini (com quem n\u00e3o trabalhava desde &#8220;Seamonsters&#8221;, 1991) e saiu de l\u00e1 com um dos prov\u00e1veis grandes \u00e1lbuns do ano. Em &#8220;Model, Actress, Whatever&#8221; ele se v\u00ea guardando jpegs dela. O primeiro single, &#8220;The Thing I Like Best About Him Is His Girlfriend&#8221;, entrega a confus\u00e3o no t\u00edtulo. J\u00e1 &#8220;Don&#8217;t Take Me Home Until I&#8217;m Very Drunk&#8221; \u00e9 para quando nos declaramos? b\u00eabados. Para ouvir e se apaixonar.<\/p>\n<p style=\"text-align: justify;\">Pre\u00e7o em m\u00e9dia: R$ 70 (importado)<br \/>\nNota: 9,5<\/p>\n<p style=\"text-align: center;\"><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"600\" height=\"340\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/pq-yP7mb8UE\" \/><embed type=\"application\/x-shockwave-flash\" width=\"600\" height=\"340\" src=\"http:\/\/www.youtube.com\/v\/pq-yP7mb8UE\"><\/embed><\/object><\/p>\n<p style=\"text-align: center;\"><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"600\" height=\"340\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/ZQJA330yZV0\" \/><embed type=\"application\/x-shockwave-flash\" width=\"600\" height=\"340\" src=\"http:\/\/www.youtube.com\/v\/ZQJA330yZV0\"><\/embed><\/object><\/p>\n<p style=\"text-align: center;\"><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"600\" height=\"340\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/hxzSSCTFlzg\" \/><embed type=\"application\/x-shockwave-flash\" width=\"600\" height=\"340\" src=\"http:\/\/www.youtube.com\/v\/hxzSSCTFlzg\"><\/embed><\/object><\/p>\n<p style=\"text-align: justify;\"><span>&#8211; <\/span>Marcelo Costa (<a href=\"https:\/\/twitter.com\/screamyell\" target=\"_blank\">@screamyell<\/a>) \u00e9 editor do Scream &amp; Yell e assina a <a href=\"https:\/\/screamyell.com.br\/blog\/\" target=\"_blank\">Calmantes com Champagne<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"por Marcelo Costa &#8220;Narrow Stairs&#8221;, Death Cab For Cutie (Atlantic) No primeiro \u00e1lbum ap\u00f3s o sucesso de &#8220;Plans&#8221; (2005), o DCFC parece querer \n<a class=\"moretag\" href=\"https:\/\/screamyell.com.br\/site\/2008\/05\/21\/500-toques-death-cab-for-cutie-black-keys-wedding-present\/\"> [...]<\/a>","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/posts\/182"}],"collection":[{"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/comments?post=182"}],"version-history":[{"count":3,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/posts\/182\/revisions"}],"predecessor-version":[{"id":30664,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/posts\/182\/revisions\/30664"}],"wp:attachment":[{"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/media?parent=182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/categories?post=182"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/tags?post=182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}