{"id":114,"date":"2007-08-29T07:28:00","date_gmt":"2007-08-29T09:28:00","guid":{"rendered":"http:\/\/colunistas.ig.com.br\/revoluttion\/2007\/08\/29\/500-toques-ash-idlewild-e-gruff-rhys\/"},"modified":"2015-04-22T10:51:19","modified_gmt":"2015-04-22T13:51:19","slug":"500-toques-ash-idlewild-e-gruff-rhys","status":"publish","type":"post","link":"https:\/\/screamyell.com.br\/site\/2007\/08\/29\/500-toques-ash-idlewild-e-gruff-rhys\/","title":{"rendered":"Tr\u00eas CDs: Ash, Idlewild e Gruff Rhys"},"content":{"rendered":"<h3 style=\"text-align: center;\"><strong>por <a href=\"https:\/\/www.facebook.com\/marcelo.costa.5855\" target=\"_blank\">Marcelo Costa<\/a><\/strong><\/h3>\n<h3 style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-30264\" title=\"ash1\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/04\/ash1.jpg\" alt=\"\" width=\"450\" height=\"450\" srcset=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/04\/ash1.jpg 450w, https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/04\/ash1-150x150.jpg 150w, https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/04\/ash1-300x300.jpg 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/h3>\n<p style=\"text-align: justify;\"><strong>&#8220;Twilight of The Innocents&#8221;, Ash<\/strong> (WEA)<br \/>\nEm seu sexto e \u00faltimo \u00e1lbum (a banda diz que s\u00f3 lan\u00e7ar\u00e1 singles de agora em diante), o Ash volta a ser um trio (como na estreia com o \u00e1lbum &#8220;Trailer&#8221;, em 1994) devido \u00e0 sa\u00edda da bela guitarrista Charlotte Hatherley. A mudan\u00e7a devolveu o sotaque pop guitarreiro ao grupo ap\u00f3s o pesado e fraco &#8220;Meltdown&#8221;, e rende can\u00e7\u00f5es poderosas como a abertura com &#8220;I Started a Fire&#8221;, a sensacional &#8220;You Can&#8217;t Have It All&#8221; e a quebrad\u00edssima &#8220;Blacklisted&#8221;, mas o pique n\u00e3o se mant\u00e9m. Se fossem singles&#8230;<\/p>\n<p style=\"text-align: justify;\">Nota: 7<br \/>\nPre\u00e7o em m\u00e9dia: R$ 55 (importado)<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-30265  aligncenter\" style=\"border: 1px solid black;\" title=\"idlewild1\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/04\/idlewild1.jpg\" alt=\"\" width=\"450\" height=\"450\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>&#8220;Make Another World&#8221;, Idlewild<\/strong> (EMI)<br \/>\nEles eram barulhentos nos primeiros \u00e1lbuns (&#8220;Hope Is Important&#8221; e &#8220;100 Broken Windows&#8221;), mas acertaram a veia pop no \u00f3timo &#8220;The Remote Part&#8221;. Quando pareciam ser a bola da vez vieram o fraco &#8220;Warnings \/ Promises&#8221; e o ex\u00edlio solo do vocalista Roddy Woomble (com o sublime &#8220;My Secret Is My Silence&#8221;). Agora retornam exalando barulho em \u00f3timas can\u00e7\u00f5es como a r\u00e1pida &#8220;In Competition For The Worst Time&#8221;, a dan\u00e7ante &#8220;No Emotion&#8221;, a tristonha &#8220;You And I Are Both Away&#8221; e a empolgante &#8220;Finished It Remais&#8221;.<\/p>\n<p style=\"text-align: justify;\">Nota: 8<br \/>\nPre\u00e7o em m\u00e9dia: R$ 30 (nacional)<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-30266  aligncenter\" title=\"gruff\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/04\/gruff.jpg\" alt=\"\" width=\"450\" height=\"450\" srcset=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/04\/gruff.jpg 450w, https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/04\/gruff-150x150.jpg 150w, https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2015\/04\/gruff-300x300.jpg 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>&#8220;Candylion&#8221;, Gruff Rhys<\/strong> (Sinnamon Records\/Rough Trade\/Team Love)<br \/>\nSegundo \u00e1lbum solo do vocalista do Super Furry Animals, &#8220;Candylion&#8221; exercita o modus operandi que fez a fama do SFA: arranjos inusitados e inteligentes que, aqui, tomam como base o folk (ou folksploitation, como diz Gruff) para carregar a melodia por territ\u00f3rios deliciosamente inesperados. O resultado surreal e desencanado destaca a fofa faixa t\u00edtulo (com backing de Lisa Jen), a pop folk &#8220;Beacon In The Darkness&#8221; e a bossa espacial &#8220;Con Carino&#8221;, cantada em espanhol e dedicada a Ronaldinho Ga\u00facho.<\/p>\n<p style=\"text-align: justify;\">Nota: 8,5<br \/>\nPre\u00e7o em m\u00e9dia: R$ 45 (importado)<\/p>\n<p style=\"text-align: center;\"><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"600\" height=\"340\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/QLOY_LrRet4\" \/><embed type=\"application\/x-shockwave-flash\" width=\"600\" height=\"340\" src=\"http:\/\/www.youtube.com\/v\/QLOY_LrRet4\"><\/embed><\/object><\/p>\n<p style=\"text-align: center;\"><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"600\" height=\"340\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/snx3yIPu7LE\" \/><embed type=\"application\/x-shockwave-flash\" width=\"600\" height=\"340\" src=\"http:\/\/www.youtube.com\/v\/snx3yIPu7LE\"><\/embed><\/object><\/p>\n<p style=\"text-align: center;\"><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"600\" height=\"340\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/hP3gpbFvNF8\" \/><embed type=\"application\/x-shockwave-flash\" width=\"600\" height=\"340\" src=\"http:\/\/www.youtube.com\/v\/hP3gpbFvNF8\"><\/embed><\/object><\/p>\n<p style=\"text-align: justify;\">&#8211; Marcelo Costa (<a href=\"https:\/\/twitter.com\/screamyell\" target=\"_blank\">@screamyell<\/a>) \u00e9 editor do Scream &amp; Yell e assina a\u00a0<a href=\"https:\/\/screamyell.com.br\/blog\/\" target=\"_blank\">Calmantes com Champagne<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"por Marcelo Costa &#8220;Twilight of The Innocents&#8221;, Ash (WEA) Em seu sexto e \u00faltimo \u00e1lbum (a banda diz que s\u00f3 lan\u00e7ar\u00e1 singles de \n<a class=\"moretag\" href=\"https:\/\/screamyell.com.br\/site\/2007\/08\/29\/500-toques-ash-idlewild-e-gruff-rhys\/\"> [...]<\/a>","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/posts\/114"}],"collection":[{"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/comments?post=114"}],"version-history":[{"count":5,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/posts\/114\/revisions"}],"predecessor-version":[{"id":511,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/posts\/114\/revisions\/511"}],"wp:attachment":[{"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/media?parent=114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/categories?post=114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/tags?post=114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}