{"id":104,"date":"2007-08-01T08:00:00","date_gmt":"2007-08-01T10:00:00","guid":{"rendered":"http:\/\/colunistas.ig.com.br\/revoluttion\/2007\/08\/01\/500-toques-chemical-brothers-qotsa-e-bloc-party\/"},"modified":"2024-03-24T18:37:56","modified_gmt":"2024-03-24T21:37:56","slug":"500-toques-chemical-brothers-qotsa-e-bloc-party","status":"publish","type":"post","link":"https:\/\/screamyell.com.br\/site\/2007\/08\/01\/500-toques-chemical-brothers-qotsa-e-bloc-party\/","title":{"rendered":"Tr\u00eas discos: Chemical Brothers, QOTSA e Bloc Party"},"content":{"rendered":"<h2 style=\"text-align: center;\"><strong>texto de <a href=\"https:\/\/twitter.com\/screamyell\" target=\"_blank\" rel=\"noopener\">Marcelo Costa<\/a><\/strong><\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-80603 aligncenter\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2007\/08\/chemical.jpg\" alt=\"\" width=\"500\" height=\"500\" srcset=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2007\/08\/chemical.jpg 500w, https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2007\/08\/chemical-300x300.jpg 300w, https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2007\/08\/chemical-150x150.jpg 150w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>\u201cWe Are The Night\u201d, The Chemical Brothers<\/strong> (Warner)<br \/>\nEm seu sexto \u00e1lbum de est\u00fadio, os bros continuam fazendo m\u00fasica de alta qualidade. \u201cWe Are The Night\u201d n\u00e3o \u00e9 sensacional (como \u201cDig Your Own Hole\u201d), mas mant\u00e9m a batida (psicod\u00e9lica) no n\u00edvel dos \u00e1lbuns anteriores. \u201cAll Rights Reserved\u201d, com o Klaxons e um vocal circular que contagia, une gera\u00e7\u00f5es. Ainda participam do CD a banda Midlake (na calminha \u201cThe Pills Won\u2019t Help You\u201d), Ali Love (na boa \u201cDo It Again\u201d) e Willy Mason (em \u201cBattle Scars\u201d). A edi\u00e7\u00e3o japonesa tem dois b\u00f4nus: \u201cNo Need\u201d e \u201cSeal\u201d.<\/p>\n<p style=\"text-align: justify;\">Nota: 6,5<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-80602 aligncenter\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2007\/08\/qotsa1.jpg\" alt=\"\" width=\"500\" height=\"500\" srcset=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2007\/08\/qotsa1.jpg 500w, https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2007\/08\/qotsa1-300x300.jpg 300w, https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2007\/08\/qotsa1-150x150.jpg 150w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>\u201cEra Vulgaris\u201d, Queens of The Stone Age<\/strong> (Universal)<br \/>\nJosh Homme \u00e9 t\u00e3o conciso que \u00e9 quase imposs\u00edvel ao QOTSA lan\u00e7ar um disco ruim. Por\u00e9m, ultrapassar o poderoso \u201cSongs For The Deaf\u201d (um dos melhores da d\u00e9cada) come\u00e7a a parecer uma tarefa \u00e1rdua demais. \u201cEra Vulgaris\u201d dispara riffs portentosos, que ficam atr\u00e1s de \u201cSongs\u201d, mas devem pintar em listas de melhores do ano. Julian Casablancas (Strokes) faz vocal e guitarra sintetizada em \u201cSick, Sick, Sick\u201d. A faixa t\u00edtulo (com Trent Reznor) ficou de fora, mas surge como b\u00f4nus em alguns pa\u00edses (e na web).<\/p>\n<p style=\"text-align: justify;\">Nota: 7<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-80604 aligncenter\" src=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2007\/08\/bpanother.jpg\" alt=\"\" width=\"500\" height=\"500\" srcset=\"https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2007\/08\/bpanother.jpg 500w, https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2007\/08\/bpanother-300x300.jpg 300w, https:\/\/screamyell.com.br\/site\/wp-content\/uploads\/2007\/08\/bpanother-150x150.jpg 150w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>\u201cAnother Weekend In The City\u201d, Bloc Party<\/strong> (Bootleg)<br \/>\nO Bloc Party n\u00e3o passou no teste do segundo \u00e1lbum, apesar de \u201cSong For a Clay\u201d e \u201cHunting For Witches\u201d. Por\u00e9m, uma cole\u00e7\u00e3o de b-sides que circula na web prova que a banda deixou as melhores can\u00e7\u00f5es no fundo do ba\u00fa. \u201cWe Were Lovers\u201d (um romance com uma mulher casada), \u201cVersion 2.0? (jovens perdidos na vastid\u00e3o do mundo), \u201cSelfish Son\u201d (do refr\u00e3o \u201cEu posso ser cruel com voc\u00ea, meu amor\u201d) e \u201cRhododendron\u201d (que cita Napole\u00e3o, James Dean e Marlon Brando) mostram que a hist\u00f3ria poderia ter sido outra.<\/p>\n<p style=\"text-align: justify;\">Nota: 8,5<\/p>\n<p><iframe loading=\"lazy\" title=\"We Are The Night\" width=\"747\" height=\"420\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=OLAK5uy_nT2v0NnRsPhX-hq__eu7wSfr9aq72Lj7c\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Era Vulgaris\" width=\"747\" height=\"420\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=OLAK5uy_kCCDmao716AjlsYiNv-M_GaWCc9kWO3y4\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Bloc Party -  Version 2.0\" width=\"747\" height=\"420\" src=\"https:\/\/www.youtube.com\/embed\/WCwUfiqEg9Q?list=PL113EBAA8B2F2F035\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p><em>\u2013 Marcelo Costa (<a href=\"https:\/\/twitter.com\/screamyell\" target=\"_blank\" rel=\"noopener noreferrer\">@screamyell<\/a>) \u00e9 editor do Scream &amp; Yell e assina a\u00a0<a href=\"https:\/\/screamyell.com.br\/blog\/\" target=\"_blank\" rel=\"noopener noreferrer\">Calmantes com Champagne<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"texto de Marcelo Costa \u201cWe Are The Night\u201d, The Chemical Brothers (Warner) Em seu sexto \u00e1lbum de est\u00fadio, os bros continuam fazendo m\u00fasica \n<a class=\"moretag\" href=\"https:\/\/screamyell.com.br\/site\/2007\/08\/01\/500-toques-chemical-brothers-qotsa-e-bloc-party\/\"> [...]<\/a>","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[11],"tags":[352,6556,66],"_links":{"self":[{"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/posts\/104"}],"collection":[{"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/comments?post=104"}],"version-history":[{"count":4,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/posts\/104\/revisions"}],"predecessor-version":[{"id":80605,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/posts\/104\/revisions\/80605"}],"wp:attachment":[{"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/media?parent=104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/categories?post=104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/screamyell.com.br\/site\/wp-json\/wp\/v2\/tags?post=104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}